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Everyone has heard the
old saying that laughter is the best medicine, but could
music also play a part in the healing process? That's
what will be on the minds of scientists and musicians
next week at the Music and Medicine Symposium at the
UA School of Music.
This is the second year such an event will be held
at the UA and the first year that it will be held at
the School of Music, said Peter McAllister, a music
education professor and director of the School of Music.
The symposium will be attended by musicians and scientists
from all over the world, and will explore the different
ways in which music impacts the human body, McAllister
said.
The idea began with Melinda Connor, director of the
Karen Lee Connor Optimal Healing Research Program. The
program is named after Connor's sister-in-law, Karen,
an accomplished opera singer who passed away from bone
marrow cancer three years ago. Connor's research focuses
on energy and miracle healing, a field she said is very
controversial.
"It's controversial because science dollars are
few and far between, and there is a lot of competition
for research money," she said.
The main part of Connor's research is in how frequencies
affect the systems of the human body, and music is important
because it is made up of frequencies that are easy to
hear and reproduce accurately, she said.
Last year, Connor and her colleague, Dr. Angela LaSalle,
decided to hold a conference on music and healing, but
it was a small event because the money came out of Connor's
pocket, she said. This year's event will bring many
distinguished experts from around the globe, including
Dr. Manfred Clynes of Georgetown University, who will
be exploring emotions that come from different sounds,
and Debbie Danbrook, a renowned Canadian musician who
plays a Japanese flute called the shakuhachi.
Another key figure in the symposium is Alexander Tentser,
who composed an original piano piece called "Prelude,
Chorale and Toccata."
"It is influenced by ethnic Middle Eastern music,
Jewish and Arabic traditions in particular," said
Tentser, who is an adjunct instructor at the UA School
of Music and the music director of the Pima Community
College Orchestra.
Tentser will also be performing a sonata by Mozart
for two pianos with John Ritter, an artist in residence
at the UA.
Tentser, who is originally from Kiev, Ukraine, was
trained at a Russian music academy in Moscow, and he
said he strongly believes that music can help the healing
process.
"Music has very strong healing qualities, regardless
of age," he said. "People feel much better
and happier and forget about their worries."
Though he has classical training, Tentser does not
think that classical music should be inaccessible to
the general public. "I'm interested in creating
a style that does not have a division between popular
music and 'serious' classical music," he said.
"We should not say that classical music is good
and popular music is bad."
Connor hopes to continue holding conferences on this
subject and said that next year's symposium may be held
at Indiana University or Purdue, and may go to Arizona
State University in the future, where similar research
is being done. Connor believes there is much to be explored
in the field and that the implications are far-reaching.
"The more we understand how frequency and sound
impact the systems around us, the more we're able to
help people heal more rapidly and smoothly," she
said.
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